A Question of Context: Seven Antiques, Many Rooms

Styling 19th century furniture is often less about finding the “right” interior than recognising what an exceptional piece can bring to very different surroundings. We tend to make surprisingly quick decisions about where furniture belongs. Gilding suggests formality. Marquetry calls to mind richly decorated rooms. Satinwood seems to ask for something classical around it. Before long, an exceptional piece has been assigned not only a period, but an entire interior.

So we decided to remove the rules. Scroll through the the galleries below to see how each piece was used. 

The Furniture Stayed. We Changed Everything Else.

We took eight 19th-century pieces and placed each in a series of very different rooms: traditional, contemporary, Chinoiserie, minimalist and everything in between. Nothing about the furniture changed. Yet, from one room to the next, our perception of it did.

1. An Exercise in Elegance: The Louis XVI Console

The first piece makes the point beautifully. This 19th-century Louis XVI console is unquestionably decorative, with a marble top and an exceptionally fine pierced and carved frieze. Pierced carving was considerably more difficult—and expensive—to produce than straightforward surface carving, and here it gives the table an extraordinary lightness. Enquire about this console table.

Change its surroundings, however, and different qualities emerge. In an elaborate room the console participates in the decoration. Against a restrained background, its long lines, symmetry and architectural form become much more apparent.

It isn’t the style of the room that makes it work. It is the quality of the piece.

2. When the Table Becomes the Room

Featured in an elegant orangery, its exuberance becomes part of a richly layered whole. Place it instead in a quiet, light-filled breakfast room and the effect reverses: everything else recedes and the table becomes the focal point. It is difficult to comprehend the extent of the marquetry on this rare 19th-century English centre or dining table from a single photograph. Flowers, leaves and scrolling foliage spread across its surface in remarkable detail.

Enquire about this walnut centre table.

3. Look Closer: A French Louis XVI Display Cabinet

This form of French display cabinet is not particularly unusual. Finding one of this quality is more challenging.

From a distance it is elegant and beautifully proportioned. Up close, the extraordinarily detailed metalwork reveals the difference. There is another variable too: what goes inside. Fine porcelain creates one impression; books, glass, silver or a collection of personal objects create another. A cabinet designed more than a century ago can assume an entirely different personality according to what its owner asks it to hold.

Enquire about this Walnut Vitrine

4. Masculine, rectilinear, bold…or perhaps not…

A 19th century Empire console table comes with certain expectations. Perhaps though, those expectations are self imposed, and that in fact this piece is more relaxed than ever we thought.

Enquire about this Empire console table.

5. A Desk Designed to Be Seen

Louis XV desks are often placed in the centre of a room but need not always be. This 19th-century English bureau plat in the French style is freestanding with parquetry on all four sides so can be placed anywhere within a room. Freestanding in a study, library, bedroom or drawing room, it becomes almost architectural. But why limit its use to the expected? Why not a fabulous dressing table for example.

Its profuse inlay continues around the piece, which means it can be appreciated from every angle.

Enquire about this bureau plat.

6. An Arts & Crafts Bookcase – Quality in Places You Aren’t Expected to Look

This English Arts and Crafts bookcase is immensely versatile. Change the room, change the piece. From ‘Arts & Craftsy’, to contemporary classic…paired back country to architectural modern.

Enquire about this bookcase.

7. The Pieces Without a Rulebook

And finally, something rather different.

This pair of 19th-century terracotta plinths are hand-painted with flowers and entirely individual.

Either side of an archway they become architectural. In a dining or living room, decorative. In a bedroom, unexpected. Moving towards a patio or garden room, their terracotta suddenly makes perfect sense.

Perhaps that is the point of this entire exercise.

Enquire about these columns.

We often ask whether an antique will suit a particular room when the more interesting question is whether the piece is good enough to make the room more interesting.

Exceptional furniture doesn’t require us to reproduce the world in which it was made. Nor does it necessarily need a sympathetic period setting. It needs enough confidence around it to allow its quality, craftsmanship and individuality to be seen.

The furniture stayed.

We changed everything else.

And in doing so, we found eight very different ways of seeing it.

Explore the pieces featured in A Question of Context, or contact Wallrocks to discuss a particular piece and where it might work in your home.